Long Live The King…Blues

The alternative ska-punk five-piece have revealed that they will be splitting up once their next album has been released.

London based ska-punks, The King Blues, have said that they will parting ways after their soon to be released album, Long Live The Struggle’, hits shops in July, posted the band on their website on April 3rd.

“It is with great sadness and very heavy hearts that we must inform you, that as of today The King Blues are no more.” said the website post “We are all immensely proud of our body of work. We will be releasing the last, The King Blues album, entitled ‘Long Live The Struggle’ as the final chapter. “ added the band when breaking the news to their fans.

When the information was broadcast on Facebook, many fans commented with their sadness to the news, describing what the band meant to them and what they had done for this generation, making more people aware of the problems everyday people face with the government.

Reasons for the band splitting up stems from many different reasons; front man, Jonny ‘Itch’ Fox, starting his new solo project or the band feeling like they have got their message across. The band explain it is because “we simply feel we have taken things as far as they can go and it would be unfair on you if we were to go through the motions like so many other artists do.”

The band which has been going since 2004 and consisted of: Jonny ‘Itch’ Fox on vocals, Jamie Jazz on vocals and guitar, Dean Ashton on vocals and guitar, Kat Marsh on vocals and bass, Josie Dobson on vocals and keyboards and Jack Usher on drums “still all believe strongly in what The King Blues stands for”.

The website post ends by thanking the fans “thank you all so much for your support, love and passion down the years…long live the struggle.”

The King Blues upcoming album ‘Long Live The Struggle’ will be released in early July.

The King Blues Back Catalogue:

Under The Fog – 2006

Save The World, Get The Girl – 2008

Punk And Poetry – 2011

Oliver Poole (Former War Correspondent)

“When I got there they had kids with AK-47s welcoming you in”, students at University College Falmouth were told.

Oliver Poole, Former war correspondent, told BA (Hons) Journalism students what it is like to be reporting in Iraq and the dangers which the reporters face.

Oliver Poole

“You don’t want to get yourself killed”, Poole told the students when explaining how dangerous it is to be in that part of the world, especially when you’re from England “if you were a westerner in Iraq, you were a target.”.

Poole goes on to tell the students what was happening in Iraq whilst he was out there “they were kidnapping westerners, they were putting them in orange jumpsuits, in a cave in a basement, and making them do videos for their loved ones.” then graphically saying “making them plea for their life and then cutting off their head with a rusty bloody blade, and showing it on the internet as well.”

“When you’re in Iraq all the people are looking at you” he says when explaining how he felt when just walking through a street in Iraq.

He then gives advice on what to do and what not to do when reporting in these war raging countries “you’ve got to be careful and have the assumption that every one you are talking to could kill you” he warns the students “the last thing you want to do is draw attention to yourself.”

Poole then gives the students some rules to stick by “don’t go out at night, don’t go out walking around by yourself, don’t stay more than 15 minutes anywhere and don’t tell anyone where you are going.” he says “anyone that broke those rules got killed.” However he reassures the students “as long as you kept to those rules you’d be fine.”

Oliver Poole was the former war correspondent for the ‘Guardian’ and is currently the correspondent for ‘The Independent’.

Joe Barnes (FHM Editor)

“It’s really worth the pain”, students at University College Falmouth were told today.

Joe Barnes, Editor of FHM magazine, told BA (Hons) Journalism students the troubles which they will face in the magazine industry and how to over come them. He also talked about the problems existing magazines are facing.

Joe Barnes

“When you start you need to massively suck up” explained Barnes when describing to the students what they need to do when getting their first job, he also offers advice “once you’ve got your foot in the door, don’t take it out.”

He then enthusiastically told them that they should not be too over the top when starting, in other words don’t think you are important and should earn a decent salary “just expect to earn enough to live on”. He explains the best way to get work in the industry “if you want a job, work experience is just about the only way in to the industry.”

Then Barnes begins to talk about the problems which existing magazines are facing “people grow out of magazines, and there is no one else coming in” he tells the students and explains how the number of graduates is rising every year whilst the number of jobs is declining.

He tells the students this could be due to the introduction of technology and how people can get their news and features just by looking at their phones now “when I was here in 2003, no one had a smart phone and not every one had a mobile”.

However he says that although it can be harder because of the introduction of technology, we understand it better than anyone “if you are 25 and under you have a natural understanding of technology”.

Joe Barnes graduated from University College Falmouth in 2003 and studied video, web-design and photography. He went to Front magazine in 2004, and was made editor of the magazine in 2006.

Although the future may seem bleak for the next aspiring journalists, Joe Barnes assures them “The good news is, as long as you can write and you have the right attitude, then you will be able to get work”.


First House Gig For Blooze Rockers

Tonight is Hydroshima’s first gig without another band playing, and although it is situated at a house party, the lads still give it their all in their performance.

As the duo, Jacob Mcclennon on guitar and Tyla Haigh on drums, blast in to ‘Uranium Fission’ it is clear that a portion of the party guests did not expect to hear this volume of music tonight. However they stay on and listen to the boys play through their tunes; Haworth Road and Neutral, the latter getting the crowd moving as the bass-drumming finale comes in.

The Band In Action

As alcohol influenced song ‘Blooze’ kicks in, most of the crowd begin to disperse to other rooms of the house, all except the bands friends and fans. The people who have decided to leave should definitely be regretting it now as the band’s powerful, fist-pumping ‘Shark Attack’ fills the room with energy. It’s a shame the large part of the crowd has left as this would be the time to jump around.

Throughout the performance the band give off their ‘we love playing our music and are good at doing it’ vibe, by constantly moving around, even Haigh looks as though he wants to jump on his seat and drum. Not once do they lower the energy they’re giving off, and even though the crowd has reduced dramatically in size, the duo are playing as though it is a venue full.

Hydroshima sign off the night with a fresh, unheard song ‘Close To Bone’ and it ends the set just as powerful as it started, by playing their ‘Uranium Fission’ riff one last time.

For more information on Hydroshima visit their Facebook page.


Bursting On To The Music Scene

The Challenges New Artists Face When Trying To Catch Their Big Break.

It is a big world out there and one of the parts of that world is the media, the media world is filled up with a great number of industries; Film, Print, Television…But the industry which gets harder and harder to make a name for yourself in every year, is the music industry.

Every year hundreds maybe thousands of bands are formed in different countries around the world, and only a small number of those bands will get their big break and be able to play their music to an audience and become famous. As the years have gone by the amount of artists who will actually get signed and will be able to follow their dreams has declined, it could be because they are not good enough or do not try their best, it could even be because of the breakthrough of the genre Pop/Punk on to the music scene, this genre is getting more popular and with so many bands trying to recreate this style with their own music it’s possible that a record label might only be interested in what is popular right now, which means bad things for bands of other genres e.g. Metal, Punk, Alternative.

Hydroshima playing The Underground

On the other hand because there are so many artists of the same genre appearing these days, record companies will be looking for something new and fresh which they also think an audience will appreciate and sell records. In this day and age to make your name known in the limelight you have to be offering something different which audiences have not witnessed or heard before, it could also be a reinvention of a former genre or a mix up of two genres creating a new one. An example of a new band with a combo genre is the explosive blues rock duo, Hydroshima. When asked about what a record label wants these days Drummer, Tyla Haigh, explains “it depends if they’re in it for the money or not”, if all the label wants to do is sell records then they will go with the genre which is popular now, however “it depends what label it is” says Jacob McClennon, the Guitarist and Vocals of Hydroshima.

The forming of a band is part of the work on the Popular Music course at University College Falmouth, therefore no one in Falmouth knows better than the students on the course the challenges a new artist faces on the scene. Once the band has been formed and have found a gig to play they have to “Promote it” as Haigh states, McClennon then explains how to go about doing this “you could do it on the internet, you could hand out flyers, you could go on the radio station.”

Hydroshima playing at the Festifal

Getting as many gigs as possible is the key to spreading the name of your band through an audience, supporting a band can be just as good as playing your own show “if you’re supporting and know ones heard of you, and then they hear you, they’ll be like ooh I like them” says Haigh. When your band gets a small following the crowd could be bigger as “someone might bring their friends as well” creating a greater audience for a gig adds McClennon.

Another challenge which new artists will face is the money side of music, as we know students are not the richest of people so funding a band will not come easy, and as Haigh puts “if your instruments break” then money is going to have to go into replacing them. However “we get to rehearse for free, we get to record for free” is explained by Haigh as being one of the advantages of being at UCF as they have the Performance Centre.

Some might argue that the Falmouth music scene is rather stale, usually only offering the Princess Pavilion stage (The biggest in Falmouth) to Folk or tribute bands, which with a university close by which has a popular music course, is not the widest range of music and therefore will not attract a majority of students. “It needs a heavy rock scene, it’s mainly just reggae” says McClennon on the Falmouth scene. Although the Tremough Campus has the Performance Centre for these newly formed student bands to preform in, it is not the same as actually getting out there and gigging in small venues and pubs. These student bands need to break into the Falmouth music scene as it needs something new, fresh and as Jacob McClennon clearly states it “It needs us”.