Elements – Evarose

The melodic Oxfordshire quartet prove that they can deliver another heart-felled, riff-hooking EP.

Evarose – completed by Dannika Webber (vocals), Imogen Leslie (guitar), Connie Raitt (bass) and Robyn Griffith (drums) – have shown that their 2010 EP, ‘Creation Divide’, was not as far as the band could go; with new EP ‘Elements’ sounding tighter and more emotionally lyrical.evarose elem

The EP starts off with ‘Best Left Alone’, which begins the record on an entertaining riff and a showing off of Webber’s amazing vocals which constantly ring out through the song and make it too irresistible to not listen on. The track gives one of many examples of the band’s inspiring lyrics, this time about telling someone who you don’t want to be with them, “you may as well be talking to thin air, this is getting you nowhere”.

Second track, ‘Educate Yourself’, not only gives the listener the same aspects of ‘Best Left Alone’, but it also shows off the talented drumming of ‘Griffith’. Something else which this song has which the first does not is a tuneful, catchy guitar breakdown which then jumps back in to the chorus, these are the things which get people to listen to your songs and ‘Evarose’ have done it right.

Webber’s vocals and Leslie’s guitar work sum up the feeling of ‘There’s No Such Thing As Something For Nothing’, which is a song about breaking up with someone who doesn’t want to be in the relationship; and the song has a very powerful chorus as Webber screams “I always thought I did it for your sake, but it seems I did it just for me.” The song ends as emotionally as it began with ‘Webber’ singing ‘but it seems I did it just for me’ one last time.

‘Change’ is the most recent single which has been released from the album, and could have the best lyrics on the EP in it, “It’s what I wanted, and I don’t want it at all, I really hate what I’m becoming when I’m with you”, Webber sings as she explains that she doesn’t want to change to be in a relationship with somebody. The track also tests the singers vocals on a new level, singing “you” at the end of the choruses in a high note can be difficult, but the notes are held.

EvaroseThe song ‘Time Well Spent’ ends the EP on a high note as it is a very powerful song, which starts with a witty guitar riff and has heart-pounding pre-chorus which gets you into the track. The strong ending makes you want to listen to the record over and over again.

‘Elements’ shows how the band have grown since ‘Creation Divide’ and I am looking forward to the first album from the girls.

Listen to: There’s No Such Thing As Something For Nothing and Time Well Spent.

The Full Track-Listing is as Follows:

Best Left Alone

Educate Yourself

There’s No Such Thing As Something For Nothing


Time Well Spent

¡Uno! – Green Day

Green Day deliver an album which takes them back to their Dookie days.

The album starts off with an explosive boom, as ‘Nuclear Family’ kicks in and starts off the 12-track record, straight away it is clear that the trio have attempted to go back to their roots with this album; as the song starts off with a three-fingered riff which is similar to the style of 1994 album, ‘Dookie’. This is a good thing, as with the release of 2004 album, ‘American Idiot’, a lot of Green Day fans did not like the new style of the band, who played giant rock operas, instead they wanted to see the old Green Day (before 1995). The band, made up of Billie Joe Armstrong (vocals/guitar), Mike Dirnt (vocals/bass) and Tre Cool (vocals/drums), have not just simply repeated what they created back in 1994 though, they have added different aspects, such as powerful solos, to make songs which old through to new Green Day fans will appreciate.

Green-Day-UNOThe album is off to a smashing start, and makes me want to listen on in the hope that the rest of the record is like this. The song also opens up to the next part of the album by counting down from 10 at the end.

The record continues on its path to launching the band in to super-stardom once again, as second track ‘Stay The Night’ kicks in, it is another amazing song which gives of the ‘Dookie’ feeling with an extended breakdown and a chorus which you wont be able to help but sing to and will be running around your head for weeks to come.

As soon as ‘Let Yourself Go’ starts, it jumps into the song like ‘St. Jimmy’ did on their ‘American Idiot’ album, and although it is a completely different song, it still portrays the anger and non-compliance that ‘St. Jimmy’ (and most of ‘American Idiot’) gave out. However this time it is about being absolutely pissed off with someone, rather than the whole government, and wanting to beat the s**t out of them, with lyrics like “shut your mouth because you’re talking too much, and I don’t give a f**k anyway”. With Tre Cool screaming “shut the f**k up” in the background and the gritty sound of Armstrong’s voice, you can really feel the aggression coming from song.

‘Kill The DJ’, the second single released from ‘¡Uno!’, shows the band trying something new, a sort of disco theme which really doesn’t fit in with the rest of the album; as it doesn’t show who the band are and what they can do. Green Day can wander out of their comfort zone to create something different, but not go so far as to play a song better suited for a different genre. The string wobbling solo during in the breakdown is a nice touch though.

The sixth track ‘Fell For You’ shows that the band, amongst writing rock operas, can still write songs about love and having a crush on someone, it is not a mushy-gooey song about falling head over heels for someone though; as the trio do the song in their own punk themed way By having lyrics such as “I crash into you, ’cause you crashed in my imagination too. Break a leg and you crush my heart, I’m a mess and you’re a work of art” are not your usual love song lyrics.

As ‘Loss Of Control’ starts, the song shows off what the band have to offer, on every album the band have brought out through the years they have shown off each instrument to its full potential. Green Day are not just about the guitar and drums, they show off the bass guitar for the instrument which it is, whether it is throughout the classic ‘Longview’ track from ‘Dookie’ or the opening to ‘Loss Of Control’, Mike Dirnt shows off his skills on an instrument which is too underrated these days.

The band formed in Oakland, California in 1987, and have been creating punk/rock music ever since. Their first album being ’39/Smooth’ in 1990, which was released through (now deceased) Lookout! Records, along with their 1992 album ‘Kerplunk’. However it wasn’t until 1994 when Green Day released ‘Dookie’ that they were put onto the musical map, and signed to a much bigger label, Reprise Records. Once the band made the decision to sign to Reprise Records some fans thought they had sold out because they weren’t trying to support independent labels anymore. The band still held a wide fan base though, through their later albums ‘Insomniac’ (1995) and ‘Nimrod’ (1997). However when they released ‘Warning’ in 2000, it seemed that the punk aggression of the trio had fizzled out, with them playing a whole acoustic style album. It wasn’t over though as the world watched, when the band created the rock opera ‘American Idiot’ in 2004, which centred around a boy named Jimmy. They were put back on to the map and had created another album which would go down in punk history. 2009 saw Green Day release their second rock opera ’21st Century Breakdown’, this time focusing on a boy and girl named Christian and Gloria. Although the record was not as hard-hitting as ‘American Idiot’ it was still an all round success. This album, ‘¡Uno!’, is the first in a trilogy of albums which the band are releasing, the second being ‘¡Dos!’, November 13th, and the third being ‘¡Tre!’, January 15th.

green‘Sweet 16’ is another example of the band’s, or perhaps just Armstrong’s, softer side, which could possibly be written about his wife, Adrienne Nesser, who was also his high school sweetheart.

‘Rusty James’ has a deep meaning to the lyrics, the song is written about some of the old bands which Green Day used to play with when they were on the Californian punk scene, and the song asks where are they now, Green Day are still fighting for their cause rather than changing themselves for the mainstream.

It was odd when I discovered that the final track on the album, ‘Oh Love’, was the first single which had been released, however it is typical of Green Day to not follow the conventional rules. The song shows elements of classic Green Day and also a new style of palm-muted-string playing, which we first saw on the track ‘East Jesus Nowhere’ from ’21st Century Breakdown’. The song finishes off ‘¡Uno!’ just as powerfully as it began, and gets us ready for ‘¡Dos!’, the second in the trilogy.

This album has shown the whimsical riffs of the early albums and put them together with the talented writing and power of the more recent albums mixed in with a surge of rock and roll…a great album all round.

Green Day are back!!!

Listen to: Nuclear Family, Carpe Diem and Rusty James.

The Full Track-Listing is as Follows:

Nuclear Family

Stay The Night

Carpe Diem

Let Yourself Go

Kill The DJ

Fell For You

Loss Of Control


Angel Blue

Sweet 16

Rusty James

Oh Love

Wake – Cold Summer

‘Wake’, the new EP from Cold Summer who are a small band set on accomplishing big things, delivers all the aspects of an act who could one day be having their lyrics screamed back to them. This is the second EP that the quartet – completed by Dan Feast (vocals), Chris Harrison (guitar), Chris Hepworth (bass) and Justin Eastwood (drums) – have released this year; the first being ‘Transitions’ which was released in January. The post hardcore/rock band from Wakefield show on this EP what the band can do, with every member getting their part to shine.

Cold Summer - WakeFirst song, ‘Waiting’, kicks off the EP ferociously with a deep bass sound and a quirky, ripping guitar riff which turns grittier and then into a melodic tune throughout the verse. Joined in with the vocals of ‘Feast’, the song comes together well, as throughout the melodic guitar sounding verses ‘Feast’ offers his calming vocals, then when we are treated to his passionate screaming voice the gritty guitar and pounding drums accompany the passion with their sound. The song also has a huge breakdown which could have a great effect when played live.

‘Wake’ is the second song on the CD, and although only being 50 seconds long, thankfully has lyrics to it, because with so many bands today having albums which consist of an interlude track of just music, it creates the feeling that you are missing a song. Even though it is short it at least still shows what the band can do in such a short space, setting an atmosphere in the listeners head of how the rest of the EP will be; a feeling of chilled out power which is ready to erupt throughout the rest of the record.

From the moment ‘A Is For Arson’ begins it was obvious to me that this was going to be a more upbeat/bang your head song, and as soon as the sound of the guitar comes in, alone at first, but then followed by the bass and drums not long afterwards, it appears I was right. The song – which has to be the most powerful on the EP – has a darker feel to it than the others as the band are singing about burning down a building. However that is not a bad thing because it has opened up the song to an epic bass line in the breakdown, a hooking chorus and some thought-provoking lyrics. This song is gripping from start to finish, from the opening guitar riff to the chants of “when will we wake” at the end, it is a track which any listener will enjoy when hearing for the first time.

‘Car Crash (In Progress)’ is more of a laid-back melodic rock song with a quirkiness in the instruments which offers something different from the rest of the EP, whether it be the enticing guitar solo close to the end or the fact that is starts fairly calm and then draws you in becoming heavier as the song goes on; the song keeps the listeners on their toes and stops the EP from feeling monotonous.

coldsummerwakephotoThe EP ends with song, ‘Mistakes’, and the track shows that the band have something more to offer than just great rock songs, they can also write heart-wrenching tracks aimed at bringing your feelings to the surface. I have heard many albums from bands who have tried to end their album with a slower song, and some can’t pull it off; Cold Summer however give a song which will make you want to hear more as it comes to its finish.

Usually when listening to an EP for the first time from a band which I have only just come across, I have to listen to it a few times before I really get in to it, with ‘Wake’, I wanted to listen to it again straight away because I was upset when the EP finished as I wished there were more songs on it.

Keep an eye on Cold Summer, they are going to make a difference.

The band, who recently had a sold out show supporting Lemuria, are currently in the process of booking a UK tour for the release of ‘Wake’.

Listen to: A Is For Arson and Mistakes.

The Full Track-Listing is as Follows:



A Is For Arson

Car Crash (In Progress)


The EP ‘Wake’ is out now, to have a listen click the link below.


Handwritten – The Gaslight Anthem

The Gaslight Anthem deliver another blues rock masterpiece.

This album’s release date has definitely been one of the most anticipated days on my calendar this year, and now that it has come I can safely say it was worth the wait.

Handwritten kicks in with recently released single ’45’, which is definitely one of the most powerful songs on the album, it combines everything that is ‘The Gaslight Anthem’; the energy of ‘Sink or Swim’ (2007), the mournful lyrics of ‘The 59 Sound’ (2008) and the melodic blues guitar of ‘American Slang’ (2009). From the opening guitar riff and front man Brian Fallon screaming whoa, through the meaningful hooking choruses, to the energetic ending, this track, about not being with the one you love, will leave you wanting more.

Gaslight-Anthem-HandwrittenThey have created a song which contains all their great aspects, and it is only the first track on the album, therefore if your ears aren’t enjoying themselves yet, they soon will be with the rest of the record.

Chants of “whoa, whoa” start off second track ‘Handwritten’, the song is a tribute to the process by which a song is written “out here in the dark, I cherish the moonlight, I’m in love with the way you’re in love with the night, and it travels from heart to limb to pen”, to when it is heard by the listener “let it out, let me in take a hold of my hand, there’s nothing like another soul who’s been cut up the same” and then is passed down to another listener “pull it out, turn it up what’s your favourite song? That’s mine, I’ve been crying to it since I was young”. The song is also related to the fact that the whole of the album ‘Handwritten’, was in fact handwritten, and no computers were used.

Too Much Blood is an amazing track, it captures something which isn’t seen a lot in The Gaslight Anthem songs, the song sounds like a homage to classic 50s rock and roll with a smooth riff and an unusual solo, something which I have not heard in a ‘Gaslight’ song before. You would think that through the last three albums we have heard everything Brian Fallon’s voice could do, soothing on ‘The 59 Sound’ and incredibly high on ‘American Slang’, now he’s trying to go to the deeper end of the scale in this song, and although new, it works really well. Fallon may be one of the greatest voices of this generation.

Since the release of The 59 Sound in 2008, The Gaslight Anthem fans have been waiting for another record with an impact of the same magnitude, unfortunately American Slang was not the album they were waiting for; although an amazing record all round, it just didn’t give you the same feeling as the first time The 59 sound rushed through your ears. Handwritten also doesn’t hit this mark, but it is not far from it, the album feels like a slower version of The 59 Sound, it also has an essence of ‘The Horrible Crowes’; the duet which Brian Fallon played in with Ian Perkins, with the dark lyrics and vocals on some tracks.

As soon as the guitar and gang vocals come in to ‘Howl’, it is obvious that this is going to be a fun and exciting song, and it does not disappoint, although short, it is two minutes and six seconds of pure energy, a track that will get you out of your seat and moving.

The song ‘Desire’ gives you the feel of a punk rock bands song with the background rhythm guitar, the opening sounds as though you are listening to Rise Against – if they started playing blues as well.

‘Mae’ the tenth track on the album is a song about trying to be with the girl you love, and once again Brian Fallon takes us on a journey using his soothing country voice; as tracks such as ‘Here’s Looking At You Kid’ from The 59 Sound and ‘We Did It When We Were Young’ from American Slang did.

‘National Anthem’, a song which Fallon claims was written in 20 minutes on a night in Nashville, takes us through Fallon’s memories and mind when looking at the world today,“what’s left for god to teach from his throne? And who will forgive us when he is gone?” It is an acoustic thought-provoking anthem and is a great way to close an amazing fourth album.

gaslightThe Gaslight Anthem is made up of Brian Fallon (vocals and guitar), Alex Rosamilia (guitar and backing vocals), Alex Levine (bass and backing vocals) and Benny Horowitz (drums). They formed in 2006 and originate from New Brunswick, New Jersey.

Maybe handwritten is not a better album than ‘The 59 Sound’, the record which thrust them into the public’s eye, but the band have taken risks by combining genres. This album has it all, including aspects from their previous albums, and it shows their progression from 2007.

If you bought the deluxe edition of the album, you will have gotten three bonus songs which aren’t on the normal album, two of which, ‘Sliver’ and ‘You Got Lucky’, are Nirvana and Tom Petty covers. The other is ‘Blue Dahlia’, a song which I believe is powerful enough to be on the album.

So there you have it, an album with some rock and roll, some punk and a hell of a lot of blues rock. If you see this album, I advise you to buy it along with the band’s back catalogue. If The Gaslight Anthem are not in your life…you need them.

Listen to: 45, Mulholland Drive and Howl.

The Full Track-Listing is as Follows:



Here Comes My Man

Mulholland Drive


Too Much Blood


Biloxi Parish



National Anthem

– Deluxe Edition –

Blue Dhalia

Sliver (Nirvana Cover)

You Got Lucky (Tom Petty Cover)

Long Live The Struggle – The King Blues

Ska-punk rockers sign off with final album.

The King Blues have always been a band who have given the people a voice, and have made their listeners think about their lives and how they can change the world around them. That is why it is so hard to say goodbye to a band who have made such an impact on the music industry, however The King Blues have given their fans one more record to officially say goodbye.

Just the title, Long Live The Struggle, indicates the band still have the same views which they had when they started, and although they have tried to help out the work-a-day average person in the constant ‘struggle’ against the government and police forces, there is still much more work to be done.

0001751855_500Being their final album, this should be a record which grabs the listener and makes them listen, however opening song ‘We Are What We Own’, as thought-provoking as it is, it doesn’t feel as powerful as 2010’s ‘Punk and Poetry’ album’s opener, ‘Last Of The Dreamers. The song starts the album off in a different feel, where as ‘Punk and Poetry’ made the listener think deeply about the lyrics, this makes you feel more chilled out.

The King Blues stick to their usual fashion of jumping into a heart-pounding second song as ‘We Are The Future’ kicks in, an inspiring track which will give you the urge to dance and scream the chorus “we are the future” with Jonny ‘Itch’ Fox, TKB’s, front man. The song also shows off the rapping talents of ‘Itch’, as ‘The Futures Not What It Used To Be’ did on ‘Punk and Poetry’. It also gives us a slight screaming side to ‘Itch’ which has not been witnessed before, it gives a feel of more passion going into the song.

Third song, ‘Modern Life Has Let Me Down’, is by far the strongest track on the album, we are given the classic King Blues riffing throughout the chorus mixed in with an odd telephone dialling sound. This song definitely offers everything great about the band, a catchy chorus, strong lyrics, a massive breakdown and brilliant gang vocals; put together it creates a song which depicts an average man giving the world the middle finger.

‘Wasted Words’ is the first slow song on the album, and it features the bands keyboardist, Josie Dobson’s vocals. Although the lyrics give you the right feel for the song, it seems as if it is missing something, being the first time we really get to hear Dobson’s vocals, it’s a shame that this is a chorus which you listen to just so that you can hear another verse.

The album shows different aspects of the band, mainly in ‘Can’t Bring Me Down’ which features Letlive. vocalist Jason Butler, who provided a scream aspect for the chorus. Although scream bands are getting themselves more known, it appears out-of-place on a King Blues album. ‘Tear Us Apart’ brings us back to classic reggae King Blues, as ‘Itch’ plays out the rhythm on his signature ukulele whilst singing about how “even love” can tear two people apart.

THEKINGBLUES_210211_021As this is the band’s last album, they try to offer something different, and song ‘This Is My Home’ is a peculiar track as it is based on a man, ‘Itch’, and his wife, who is portrayed by Dobson, that are in the middle of the London riots. The man is trying to get home to his wife and the entire song is through the perspective of a phone call, which the band pull off well as it gives more of a realistic sense to the song. The track also provides the listener with a much more powerful chorus from Josie Dobson, which shows off her vocal talent.

The album then becomes powerful again with ‘Power To The People’, the song throws us a chorus which relates to all of us who have ever been defaced by the government, it tells us the message that we are the ones with power.

As the album ends with track ‘Keep The Faith’, although a strong song, it leaves us wanting more and as ‘Itch’ and the band chant out “keep the faith” it is obvious that they are talking to their fans.

With the band calling it quits because as ‘Itch’ puts it “we feel we have taken things as far as they can go” the world is a much darker place…now who will be the voice of the people?

Long Live The Struggle is out now.

Listen to: Modern Life Has Let Me Down, This Is My Home and Keep The Faith.

The Full Track-Listing is as Follows:

We Are What We Own

We Are The Future

Modern Life Has Let Me Down

Wasted Words

Can’t Bring Me Down feat. Jason Aalon Butler

Tear Us Apart

This Is My Home

Booted Out Of Hell feat. Tim Armstrong

Power To The People

Walking Away

When The Revolution Comes

Keep The Faith


London five-piece reach new elements with latest album

Given the jump forward in the music scene which 2010 album ‘All Our Kings Are Dead’ gave ‘Young Guns’, you wonder how they could top themselves. Well the answer is with the same style of music which we know and love plus stronger vocals from lead singer ‘Gustav Wood’ and the rest of the band, and adding in more of a Pop-Punk feel to several of their songs.

Bones-Album Cover

The album starts off by pounding out an energetic intro from opening track ‘I Was Born, I Have Lived, I Will Surly Die’, and the instruments are joined by Wood’s powerful voice over the top and  the hard hitting drums don’t let you stay still as you will find yourself moving along with the track. The song will keep your head nodding throughout and opens the album up well, showing the new aspects which ‘Young Guns’ are offering their fans.

Young Guns

It doesn’t stop at the first song though as the album keeps bringing different things from the boys which are new for their already avid fans. Songs such as ‘Brother In Arms’ and first single ‘Learn My Lesson’ give us a sound not heard from the band before, they take on the Pop-Punk genre with their catchy hooking riffs, and will have you jumping around more than pumping your fist, which songs such as ‘D.O.A’ on their 2010 album would have done. It isn’t only the instruments which change slightly on this album though, the whole band throw in their vocals in tracks like ‘Dearly Departed’ which go down a treat with the eardrums. Gustav Wood also extends his already passionate voice to it’s very limits, screaming out in ‘You Are Not’. 2010 album ‘All Our Kings Are Dead’ focused mainly on the lyrics of the songs rather than dragging in fans with just catchy riffs, but ‘Bones’ uses both of these elements and brings them together well.

Frontman-Gustav Wood

Young Guns are from High Wycombe, London they formed in 2003 and released their EP ‘Mirrors’ in 2009, along with their debut album ‘All Our Kings Are Dead’ in July 2010. The band consists of Gustav Wood – Vocals, Ben Jolliffe – Drums, Fraser Taylor – Guitar, John Taylor – Guitar and Simon Mitchell – Bass. Together the band create a new version of Brit-Rock combining raw guitar riffs, rocking melodies and thought-provoking lyrics making ‘Young Guns’ a unique band like no other.

The album screams classic ‘Young Guns’ giving us songs such as ‘Towers (On My Way)’ and ‘Everything Ends’ which have the band’s typical massive breakdowns and guitar solos in the verses. Their recently released single, ‘Bones’, silenced us with glorious chords and a hard rock Guitar solo in the middle. The chorus jumps your body around as Wood sings “I feel it in my bones” and the band shout back “bones, bones”.

The album ends as powerfully as it began with song ‘Broadfields’ which draws us in with an acoustic beginning and then slams in the other instruments and signs off the album with a sore neck from nodding the head so much.

‘Young Guns’ have definitely found their sound on this album and have come very far from EP ‘Mirrors’, this is an album which existing fans will enjoy and will entise other music listeners to give it a listen.

Bones is out now through PIAS Records.

Listen to: Bones, Brother In Arms, Headlights.

All Our Kings Are Dead '2010'

Mirrors EP '2009'

In Gold Blood

Kids Go For Gold With Latest Album

Back in 2008 if someone asked you if you liked the band ‘Kids In Glass Houses’ you would probably look at them with a confused expression and would ask them what they were on about, because at this point they had just released their debut album ‘Smart Casual’ and hadn’t really burst themselves on to the scene of Pop/Punk, rather just walked in.

Kids In Glass Houses

Today though that name has new meaning, it defines a band that has spawned out of the Welsh city of Cardiff and have progressed to find themselves as a band throughout their three albums, and with their latest album, ‘In Gold Blood’, being a disc loaded with energy the band have definitely shown themselves worthy of being where they are today.

The album starts off with the song ‘Gold Blood’  which when listening to it seems to stretch the intro slightly to far, however once the instruments kick in joined by lead singer, Aled Phillips’, voice, the song gets off to an explosive start and binds together with a catchy chorus of Phillips’ softly screaming vocals. It is a great way to start off the album and shows the boys using their typical guitar hooks but adding powerful backing vocals aswell.

Aled Phillips

Straight away after the track, ‘Teenage Wonderland’ jumps in with Phillips telling us that “When we were young we make the mistakes that make us what we are today”, and throughout the song shows how what we do when we are/were teenagers changes the way that our life pans out. The song could however be a way of telling us how the singer doesn’t understand the youths of todays society “i’m a boy, playing a man, trying to understand a teenage wonderland.”

Throughout the album the songs change to something slightly darker, which is a side of Kids In Glass Houses which we haven’t seen before. It’s almost as though there is a good and evil element to the album. With heavy/grungier guitar riffs and darker lyrics, in songs like ‘Animals’ which shows teenagers to be as the singer puts it “young and reckless”, and tells us how we are all just animals at heart.

In Gold Blood - Album Cover

‘Black Crush’ also shows us the darker side of the album but gives us some high pitched singing from Phillips aswell for the chorus. As we get to the last song on the album, ‘A God To Many Devils’, the band send us off with a musically talented ending with the track going into a massive Guitar breakdown of low notes.

Kids In Glass Houses has been created from five members; Aled Phillips-Vocals, Iain Mahanty-Lead Guitar, Phillip Jenkins-Drums, Joel Fisher-Rythm Guitar and Andrew Sheehy-bass. The quintet released their debut album ‘Smart Casual’ in 2008 and their second album ‘Dirt’ in 2010.  It isn’t easy for a band to get big these days and especially one which is coming out of Wales as it is such a big music scene, they gave us the likes of Lostprophets, Bullet For My Valentine, Funeral For A Friend and The Blackout.

It’s hard for a band to create an album were throughout every song we get a chrorus which will be jumping off the walls of our heads all day and great instrument playing thrown in aswell, but this band appear to have done it.

They have stuck to what they know and and added some extras, in doing so have created another album which their previous fans will love and which will draw in new ones.

This album does not disappoint…

In Gold Blood is out now through Roadrunner Records

Listen to: Diamond Days, Black Crush, A God To Many Devils.

Dirt '2010'

Smart Casual '2008'